NO LIE JULY 
free·dom ˈfrēdəm noun
Definition: the power or right to act, speak, or think as one wants without hindrance or restraint. Origin: before 900 Old English frēodōm … Refers to an opportunity to exercise one’s rights and powers: freedom of speech or conscience.
“This, then, is the state of the union: free and restless, growing and full of hope. So it was in the beginning. So it shall always be, while God is willing, and we are strong enough to keep the faith.” (Lyndon B. Johnson)
WILL YOU DO THE FANDANGO?
The new communications director in the White House, Anthony Scaramucci, has caused a flurry over his name. All over our fair land can be heard “Scaramouche! Scaramouche!” … You might know what Scaramouche is but do you know what it was? So Scaramouche is the name of a character in the Italian commedia dell’arte, comic theater popular from the 1500s to the 1800s. He is characterized by boastfulness and cowardliness. Scaramouche comes from the Italian word scaramuccia, its original meaning “to skirmish.” It evolved to mean “a cowardly buffoon” or “rascal.” By the way, if you’re wondering, it is unlikely that Scaramouche performed the Spanish dance known as the fandango.
(HE)ART OF GLASS
“There is something about glass, one of the few materials that light goes through. You’re looking at light itself.” … Dale Chihuly creates beautiful works of art out of glass. His magnificent flowers and amazing organic shapes – all in brilliant colors – are on display at the New York Botanical Garden until October 29. Intertwined throughout the landscape of the Botanical Garden, Chihuly’s glass sculptures interact with sunlight during the day and glow at night. Mixing art and nature, light and color, the conservatory is a magical setting for Chihuly’s shimmering artworks … Explaining his appeal for showing his work in botanical settings, he says “Many of my forms are inspired by nature. Putting them into gardens feels right to me. I love the idea that people may ask themselves ‘is it man-made or is it natural?’”
MOVIE MUSIC
Chronicling 50 years of French film-making, Bertrand Tavernier’s Voyage à Travers Le Cinema Français is a personal documentary, his view into cinematic language and movies as a whole. Included are great classics like Jean Renoir’s Rules of the Game (1939) and Jean-Pierre Melville’s Army of Shadows (1969), a personal favorite about underground resistance fighters in Nazi-occupied France … He shows us the elements central to the film process. Prominent among them is music, devoting time on the composer Maurice Jaubert, who wrote music for Julien Duvivier’s Un Carnet de Bal (1937) and Vigo’s L’Atalante (1934). In showing exactly how music plays a truly important role in film-making, Jaubert demonstrates that a score, in Tavernier’s words, “should find the heart of a film. It should come in when words can no longer translate emotions. Music prolongs them.”
And in the just-released movie, Dunkirk, another composer is integral to telling director Christopher Nolan’s story of the evacuation of Allied troops from the French city of Dunkirk before Nazi forces can take hold. Nolan’s longtime collaborator, Hans Zimmer, provides the film score. We are familiar with the many film scores he wrote that include The Lion King, Pirates of the Caribbean, The Dark Knight series, Gladiator, Rain Man, and Interstellar. His goal when writing a score is to add to the story: “Your job is to invent, and your job is not to be a slave to the movie but to elevate it somehow and bring your own personality into it” … Here’s an interesting fact. Zimmer produced the Buggles’s 1979 hit song, “Video Killed the Radio Star,” the first music video on the new MTV music channel!
JANE AUSTEN’S SENSIBILITY
Jane Austen still resonates with readers and movie audiences today – on this, the 200th anniversary of her death. She exposed universal human truths by focusing on the small stuff. She wrote about families, detailing their daily ordinary lives. We knew what her characters looked like, but more importantly, we knew their thoughts and their feelings. Her novels are of a time, yet are seemingly contemporary. In her stories of courtship among the well-mannered gentry – with their proper diction, lovely villages, and strict social codes – she is also describing our modern times. She showed the underbelly of her times, such as the property and inheritance laws that kept women dependent on men. Yet her smart headstrong female characters figured out how to ultimately attain happiness. They change with the times, adapting to new circumstances. Maybe we don’t read her to escape from our modernity, but to see it clearly reflected back to us.
GIRLS GO TECH
Girl Scouts of America has just added 23 new hi-tech badges that focus on science, technology, engineering, and math. Among them are badges that introduce girls to race car and aviation design. Girl Scouts can earn badges in designing robots and coding. They’ll earn a badge in meteorology by learning to predict weather patterns and potential hazards. And they will have the chance to build rocket ships and design board games. How cool is this!?!? … The girls will learn skills that can empower them, increase their confidence, and help them succeed in life. And those studies that show women remain vastly underrepresented in the technology industry? Not for long!
BE COOL!
James Dean was cool. So was Bogey. Dylan? Bowie? They’re from Planet Cool. Paul Newman? Definitely. Elmore Leonard was cool, he even wrote Be Cool. And Steve McQueen, well, he was the coolest. Cool has been the label we use on those cultural icons we most admire in music, film, art, design, literature, and so on. The word cool did not flourish until the end of World War II when it became attached to people in the arts. It embodied rebellion, to live by one’s own moral code in a changing world. To be a maverick, a rebel, a loner. To be cool meant to be inventive, witty, and creative, especially in the face of political turmoil. To be cool, calm, and collected is seductive. Cool is self-confidence. Cool is our savior, true all those years ago and true now in today’s unsteady world.
WE CAN HELP
Animal cruelty happens all year long. However, the lives of dogs and other pets are most at-risk during the summer months – the peak time for owner-surrenders, new births, and abandonments. When they need the most help, the ASPCA experiences a drop in donations every summer. That’s why they hope we won’t take a vacation from helping animals. Our donations this summer helps them continue their work on behalf of homeless, abused, and neglected animals. The ASPCA never takes a vacation because every animal deserves a loving home.
Soundtrack to this Issue
Richie Havens at Woodstock sings Freedom
Richie Havens became Woodstock’s first act to open the festival when the scheduled band got stuck in traffic. He performed but ran out of material until he remembered “…that word I kept hearing while I looked over the crowd in my first moments onstage. The word was: freedom.” He chanted that word over and over and then segued into the gospel song, Sometimes I Feel Like a Motherless Child.
C’mon, sing along, you know the words:
Freedom, freedom
Freedom, freedom
Freedom, freedom
Freedom, freedom
Sometimes I feel like a motherless child
Sometimes I feel like a motherless child
Sometimes I feel like a motherless child
A long way from my home
Who rescued whom?
So grateful for Barkley coming into my life.
Thanks to Westie Rescue of New England.
Buddha, stay. Good dog. z”l
“…live in the present moment wisely and earnestly.”
(Buddha)
Sources:
Freedom: Random House Dictionary ©Random House, Inc. 2017
Chihuly flowers pic: New York Botanical Garden
First Chihuly quote: NY Times, April 27, 2017
Second Chihuly quote: New York Botanical Garden
Alain Delon in Le Samouraï pic: Bertrand Tavernier/Voyage à Travers Le Cinema Français
Maurice Jaubert quote: New Yorker, July 17, 2017
Hans Zimmer quote: The Wall Street Journal, July 7, 2017
Steve McQueen pic: John Dominis, Schirmer/Mosel
Richie Havens pic: woodstock.com
Richie Havens quote: Rolling Stone April 22, 2013
Freedom lyrics: Michael James Hucknall ©EMI Music Publishing, Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd., Universal Music Publishing Group, PACIFIC ELECTRIC MUSIC
Yvette Perry's Blog 